Mud Flats crop top rashguard
Mud Flats crop top rashguard
Couldn't load pickup availability
- Made To Order
- Sustainable and Ethical
- Support Artists and Culture
• Fabric composition: 81% REPREVE recycled polyester, 19% LYCRA® XTRA LIFE™
• UPF 50+
• Trendy, cropped fit
• Wide, double-layered waistline band
• Raglan sleeves
• Tear-away care label
• Size up if you’re between sizes as this fabric can be tight on the body
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Fit
Fit
Fabric
Fabric
Please be aware that when purchasing multiple items from PaletTheory's collection to create a set, there may be slight variations in the prints. This is because each print is derived from original artwork. The unique nature of these artworks means that items with the same print might not match exactly, as they may feature different zoom levels or sections of the painting.
Care
Care
Wash cold before first use.
Rinse after use.
Cold gentle machine wash separately or hand wash with lukewarm water using mild detergent.
Dry in the shade.
Avoid abrasive materials on fabric
Fulfilment and delivery
Fulfilment and delivery
It takes 2–5 business days to print, cut, sew, inspect and pack your order.
Typical delivery timeframe after packing is 1 week for Europe and USA, and 2 weeks for Australia.
Please refer to estimated delivery date above
Exchange
Exchange
PaletTheory is a no-inventory, no-waste small business, which means that all products are unique and produced only once ordered. This is in line with our mission to minimize waste and avoid our products ending up in landfill. Please work with us and refrain from ordering more products that you intend to keep.
We offer exchanges for eligible items within 30 days of the date of purchase.
Please note that the cost of shipping the item back to us for an exchange is the customer's responsibility.
Source
Source
We collaborate with ethical production partners in South America and Europe that we personally assessed and vetted for the state of their facilities, the code of conduct they apply, the feedback from employees, and application of fair wages; amongst many other factors.
Based on our expertise in manufacturing, crafting garments in the same country where the fabric originates is a more sustainable approach, minimising waste. This holds true when the facilities uphold sustainable manufacturing standards.
For a deeper understanding or any queries, please feel free to reach out.
The Original Artwork: Earth and Wind
A design inspired by the contrasting beauty of “Earth and Wind”. The patterns represent the vast, otherworldly landscape of the Derby Mudflats, a place where the tide's dramatic movements shape the earth. The feathers are a tribute to the majestic Budmudda, the saltwater sea eagle, a powerful hunter that soars above this incredible scenery.
Meet the Artist: Kirsty Burgu
Kirsty Burgu is the youngest daughter of Roger Burgu (dec), a well-known Ngarinyin elder and painter. Kirsty was born at Mowanjum near Derby in the West Kimberley of Western Australia, where she has lived most of her life, except for time spent in study. She is a deep-thinking artist who endeavours to pass-on a message through her work.
Kirsty remains engaged in the traditional stories told to her by her mother and father, and Uncle Jeffrey Burgu as a child.
Kirsty says: "I really like painting. Painting is how I share all the stories I've been told with the young ones. I remember when I was small, the electricity would go off early. We would fall asleep around the fire, we didn't have TV for entertainment. My dad would say: 'come I'" tell you story now,' so me and my brother would go and sit in his arms and listen until we fell asleep. The paintings I do now have the stories that Dad Mob told me. There are so many stories and they all have so much to teach us about life."
Kirsty is one of a new generation of painters at Mowanjum Art and Culture Centre who interpret the old stories in new ways.
Mowanjum Wandjina culture is a living culture and Kirsty uses a wide range of traditional and contemporary materials including ochre on bark, ochre and acrylic on canvas, ink on paper, and woodcut, lino, and silkscreen printing.